![]() ![]() He also won Filmfare Award for Best Music Director along with Mithoon & Jeet Gannguli for the same film. Tiwari received his first nomination of Filmfare Award for Best Male Playback Singer for the film. Though the song did not get much recognition in the musical platforms, his next release " Sunn Raha Hai" from Aashiqui 2 (2013) has attained general acclaim from music critics. Close your eyes and let Mangala’s beautiful voice transport you to the banks of the river Yamuna where this event is playing itself out and the pain of the lover… as Mira anticipates the return of her beloved.Indian singer and music director Ankit Tiwari started his singing career in 2011 with the release of the film Saheb, Biwi Aur Gangster, where he composed and rendered the song "Saheb Bada Hatila". This longing and deep sense of separation is the essence of this poignant track. The devotee and composer of this composition - Baahuta dina Beeti - Mirabai, a 16th century poet saint, speaks of her heartbreak in being separated from the Lord of heart Krishna for a long time. Mirabai is a devotional ode to the God Krishna, in the Sringara rasa or the colour of conjugal love. ![]() An ideal early morning companion - whether for that predawn run, yoga session or early morning email catch-up. Mangala brings to life this tapestry of full bodied notes, intricate embellishments and rhythmic patterns. Reminiscent of the rising sun, coming up from behind a 1000 temple towers along the Ganges in Benares, the oldest continuously inhabited city on earth. The result is tapestry that enhances tradition, accentuates co-creation and soothes just as the Ganga in Benares.īeerav represents a robust early morning sound. This elevation of the Sarangi from a much subdued background sound to an equal collaborator adds immensely to the quality of the experience, unlike anything even a seasoned listener would have had chance to come across. He experiments with the relative hierarchy amongst the various aspects of the ensemble and places the vocals at the same level as the stringed accompanist, i.e., the Sarangi, played by Maestro Santosh Mishra. Marc Liebeskind the sound engineer and producer of the album, delivers a fresh approach to a centuries old style. An exemplary exponent of the ‘Khayal' style of singing, the predominant style of the Hindustani or North Indian Classical tradition, displays effortless mastery over the improvisational aspects of the style. The late Mangala Tiwari, was an artist of the highest calibre from one of the oldest houses of classical Indian music, namely the ‘House of Benares’. ![]()
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